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John
Ficara has traveled the globe as an editorial photographer,
photographing domestic and international news and politics.
He has covered the
White House for Newsweek Magazine through five presidential
campaigns and four administrations. John has also produced
38 cover images for
Newsweek Magazine as well as covers and stories for a variety
of domestic and international magazines that include People,
U.S.
News & World Report, Time, Sports Illustrated Women, Family
Circle and Der Spiegel among others. His editorial work has
also appeared
in editions of American Photography, which honors the best
in American
photography in editorial, advertising and fine art.
John’s work has been recognized with numerous awards
and honors that include:
- “DESI ” for his Newsweek
Magazine cover photograph of Pope John Paul II in the
Philippines and in 1992.
- National Headliners Award for "Feature Photography" for
his Persian Gulf coverage leading up to the war.
- Awards
from World Press Photo, the National Press Photographers
Association and the White House News Photographers Association.
John’s most recent work on the Black
American Farmers Project was awarded the White House
News Photographers Documentary Grant and the National Press
Photographers/Nikon
Documentary Sabbatical Grant. A selection of his images also
appear in the recent book projects Maryland 24/7 and A Day in the
Life of
the U.S.
Armed Forces.
Presently, John and writer/producer Annette Handley Chandler are creating
the East End Center for Documentary Work. The center, which will be
located in Sag
Harbor, N.Y., will teach documentary still photography and filmmaking
to high school students in the New York City/Long Island area. The
center will also conduct
master workshops for college students as well as practicing professionals
in the still and film documentary fields.
John has been a featured speaker on photojournalism and long-term documentary
projects at colleges and universities in the Washington D.C. area.
He also sits on the advisory board for the Institute for Documentary
Change, School of Communication at American University in Washington,
D. C. and is an
advisory board member for the Northern Virginia Community College Department
of Photojournalism.
John is a member of the National Press Photographers’ Association and
the American Society of Media Photographers. He presently resides
in the Washington,
D.C. area
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